Tag Archives: reflection

Living Between the Known and the Unknown

Creativity is an attempt to strike out from what is known into what is unknown.

We all start from a place of the unknown, sparked by curiosity to find out what lurks in the corners, under the lounge cushion and why fresh, hot cinnamon doughnuts are not classified as a food group.

We begin to learn, to understand, to make connections between knowledge and its application; the beginning of wisdom.

We feel safe in what we know, beginning to explore within the boundaries of our knowledge. Outside the boundaries is the dark unknown.

Until we get to the point when the dark unknown entices with thoughts of new knowledge.

As a creative person, we balance what we know about our craft with what we don’t know about our craft. (For me as a writer, this is a continual learning curve.)

The unknown, therefore,  is not to be feared, but explored.

Curiosity regarding what is unknown about our craft leads to seeking out what is there and leads to new ideas, new connections, new forms, new media to express our creative vision.

Spending too long with what we know, and not expanding our creative boundaries leads to stagnation. Spending too much time researching what we do not know can lead to an aimless wandering without establishing our creative boundaries.

We need to live on the border of the known and the unknown; with the light of our campfire illuminating our work while we reside under the shadow of the mountains of the unknown.

Creativity is finding the balance between what is known and what is unknown.

Creating Community and Collaborative Creativity

Creating Community and Collaborative Creativity

Making my own music is ALL about self-expression. Working on other people’s is all about the privilege of helping realise their visionSteve Lawson (@solobasssteve)

Music, like literature, art, film, photography and dance, any other creative medium or form, are aspects of self-expression. As a writer, I use words as my vehicle for self-expression to create stories. I use words to create imagery, atmosphere and stories to create emotional responses in the reader.

Literature, music and dance are the foundational aspects of community; an integral voice of culture and community as representative of a society. It celebrates, connects, questions, makes political statements, raises philosophical debate, criticises and praises.

Without community we are isolated individuals trapped by the artificial boundaries surrounding ourselves. Literature, music and dance create a cultural identity and shared awareness of each other.

“Here we are now, entertain us.”

When did the creative arts become an entertainment rather than a shared community experience?

I postulate we’ve made art, music and literature an entertainment. In doing so, we have made creativity a product, a brand, an identity. Survey the popular artists and look at the products they are flogging apart from their music: perfume, clothing, jewellery, personal hygiene products. It’s hard to see a writer being asked to endorse a product, as if the writer him/herself is a brand and an identity to market.

Music has become a spectacle and an entertainment, dividing the artist from the audience. You go to a pub, a coffee shop, an opera house, and you go to see someone perform for you. You are transferred into the world of the performer as they create it for you.

There are transcendental moments of euphoria, a shared connection with the musicians or performer on stage. I’ve been to gigs where the excitement and passion are almost palpable, but I know I am there to be entertained. I have no personal connection with the artist nor the audience. We share physical space, unknown to one another except in shared connection with the music we are listening to.

I like music, literature and art as entertainment but I want to explore the community aspect of the creative arts. Artists have collaborated and supported one another for millennia. Ultimately I see creativity (literature, music and the arts) as a shared community and communication. Creativity takes on a stronger voice when we combine as a group of people to create, to share, to communicate.

Creativity as entertainment is passive. Creativity as a communication is active and engaging.

The Dichotomy of Audience and Community

What if we changed the perspective and stopped talking about an audience for our work, whether it’s literature or music or art, and talked about community instead?

When we speak of an audience, we are speaking of one-way communication from the artist to the receiver.

When we speak of a community, we enter into a dialogue. Our voice becomes stronger when there are many to spread the message.

Our stories, our music, our dance, our art; this is the voice we have to communicate our message.

By having the artist/audience dichotomy we have weakened our voice to communicate our message.

Creating Community

In the age of digital connection and hyper connectivity, the link between artist and community is ever present and easy to do.

Amanda Palmer’s (@amandapalmer) TED Talk, “The Art of Asking” is a brilliant explanation of her art. It’s worth your time to watch and engage with her vision.

Here is a summary of her vision as I see it and its relationship to creating community in the creative arts.

Art is metaphorically, and sometimes literally, falling into your audience and trusting one another. It is an act of asking because through the act of asking, you make a connection and when you connect, people want to help you. But asking makes you vulnerable and you have to have trust in your tribe (or your community). Give and receive freely. Ask without shame. Musicians and artists (and writers) are part of the community; they are connectors and openers. Celebrity is being loved from a distance instead of being loved up close.

This is what I want from my art, my writing: the direct connection with the reader so that we create a community. In my last post, “What Will Be Your Creative Legacy?”, I spoke about what I will leave behind. I’m not worried about my words; I’m worried about my community. It’s about direct connection with people and creating a moment of contact, a moment of prolonged contact in order to build trust and build a community.

How Do You Create Community? You Ask.

In the last few years the rise of crowd-sourcing and crowd-funding has caused debate in and out of the creative community, but I see it has benefit for musicians and artists like film makers, more so than for writers. Think kickstarter, pozible or indiegogo or something similar. These platforms are generating the community aspect to creativity.

Here are a few examples that I know of where creative people have asked for help:

Australian-based metal outfit, Twelve Foot Ninja (@twelvefootninja) had a comic written for the release of their album, Silent Machine and had the largest and most successful crowd-funding campaign for their new video clip because they had engaged their community.

Helen Perris (@helenperris) was recently able to attract enough funding to record her new EP. One of the contributors was rewarded with time in the studio with Helen and try her hand at backing vocals.

It’s about creating community and connection, rewarding contributors and engaging in meaningful conversations. If you’re an artist, offer the reward to create art and liner notes or design work (cut them in for a share or a fee – I’m all for the artist being paid.) Some may choose to volunteer their time or efforts, but there is also a place for paid contributors.

Other Ways To Create Community?

What if we made venues conducive to community? What if coffee shops, cafes, art galleries and libraries made it a point of creating community between musician, artist, writer and their clients?

Create spaces for creative communities by moving into cafes and coffee shops, parks and houses for art groups or writers groups (I know they already exist but let’s broaden the horizon), perform music in the form of house concerts (Steve Lawson is big proponent of house concerts) and have literature groups meet in art galleries.

Let’s learn from the DIY aesthetic and bring the crowd right up to the band and share in the dialogue and discussion.

One of my favourite bands, Sydney-based post-rock band Dumbsaint, make short films to accompany their post-rock instrumental songs. Both music and films stand alone and the experience of watching the film and the band perform live is fantastic. Check out their new song, The Auteur.

With my current penchant for post-rock (instrumental music) in the likes of sleepmakeswaves (@sleepmakeswaves), Meniscus (@Meniscusmusic) (representing my home town) I’d like to write short narratives based on the titles of their songs to appear on the CD liner notes or on the band’s website. I haven’t asked the bands yet but what if you could engage with the artist in a creative collaboration?

I first came across this idea when reading the liner notes to King’s X album “Gretchen Goes to Nebraska.” You can read it here.

What about collaborating with a band to create a short film or video clip or a visual background for one of their songs? Offer to create visuals for their flyers, website, album artwork. Ask. Ask a writer if you could design a book cover. Ask a dancer if you could write a piece of music for them as the inspiration for new choreography.

It’s about connection (and fandom; can I get a fan “squee”?) and extending the focus outwards, not inwards.

As a writer, collaboration is a great way of helping someone realise his/her vision. The epistolary serial I co-wrote with Jodi Cleghorn, Post Marked: Piper’s Reach, was a way of realising Jodi’s vision for a new writing adventure. We are now at the editing stage, turning it into a novel and pursuing publication options.

The vision we hold for our own creative and artistic endeavours is our self-expression, our goal and purpose.

Yet, it is better to give than to receive.

To help foster and create community and assist others in realising their artistic vision is a remarkable privilege. By creating a positive and encouraging artistic community we enrich our lives.

Ask.

Be involved.

Create community.

New For Old Replacement

What do you do with old stories and old ideas you want to rehash, recycle or revisit?

I have a list of old stories and old ideas waiting for my attention. But what to do with them?

Recently I looked at the list of stories I have, both old and new, and came to a decision: Ditch the old and focus on the new.

It’s like an infomercial offering you a ‘new for old replacement’ deal.

I am not the kind of writer who can sustain multiple projects at various stages; I prefer to give my attention to one work in progress at at time. My focus right now is on the editing of my first novel, a collaborative tome, Post Marked: Piper’s Reach.

If new ideas pop up, I write them down in my notebooks and file the idea away in the back of the mashed potato I call my brain.

While I like the old stories, their ideas and expression, it’s not moving me forward towards the writing goals I have set. I have a 3 Year Plan of projects (which may have to extend to 5 years as I think I was being a little over ambitious).

My blog is a testament to the beginning of my writing journey, and while there is less fiction being posted here, I will leave it as a reference point (at least for the short term) while I work on my novel and plan out a novella and new short stories. I will let them stand as markers of my writing journey, a testament to how I wrote.

Looking back too far will only stymie the progress forward.

It’s good to take stock of your writing inventory from time to time, clear the decks of those projects prohibiting your progress forward and focus on the new works you will write to achieve your goals.

Will you have a “New For Old Replacement”?

 

What Will Be Your Creative Legacy?

I stand at the beginning of my writing journey, still wearing in the new shoes of “writer” and attending to the blisters on my heels with Band Aids.

I look forward down the road where other writers have been and look at the legacy they have left behind. I read the graffiti scrawled on the walls of the underpasses and bridges of commentators and critics, other readers and writers and come to understand the place of writers and storytellers, the mischief-makers of language and those who guard its legitimacy with fervour and zeal.

What Will Be Your Creative Legacy?

As I walk, I wonder what my creative legacy will be. Will my words live on beyond me in tomes of dead trees or digital imprint?

I’m not sure I really care because I want to leave a different legacy.

The essence of creativity is not to leave a body of work but to leave a legacy of relationships.

Through digital connections and real life conversations I’ve made great relationships. As a writer, I’ve made connections with people who are further along the journey than me who are willing to share their insight and input even if it’s limited by 140 characters. I’ve met other writers who I walk along side, encouraging, supporting and cheering on for their successes and offering Band Aids and support when needed.

And it is my hope to offer to new writers the same support and encouragement I received when I started writing. Everyone needs someone to champion your creative cause: writing, music, art, dance, film, photography, business or sport.

Your champion will provide encouragement when it appears hardest and swift kick in the backside when you’re slacking off.

Your champion will smile and nod when you tell them your latest crazy idea and won’t be afraid to ask how you’ll be able to pull it off.

Your champion will trumpet your success and commiserate your failure (and later on, make it an object lesson so you learn from your mistakes).

Be A Champion and Leave a Legacy

And then there will come a time when you will become the champion for someone else because it is the biggest and best thing you can do.

I want to ensure my character lasts longer than my words (although it would be nice if my words and works were recognised, too).

I want to create a community where we champion each other’s causes whether it’s writing, music, art, dance, film, photography, business or sport because it is more blessed to give than to receive and it fulfills the commandment to ‘love thy neighbour as thyself.’ 

Go the extra step; offer the jacket when you’re asked for the shirt.

Champion someone’s creative cause.

Can I offer you a Band Aid?

Post It Note Philosophy 9

Post It Note Philosophy on Creativity 9

PIN Philosophy 9

Too often creative people fear the darkness of their heart and mind and soul. Creativity gives you the ability to engage with and understand the darkness. When you have named your fear, creativity makes it your captive and it serves you.

Post It Note Philosophy Day 6

Post It Note Philosophy on Creativity 6

PIN Philosophy 6

Creativity requires an awareness and openness to the world. As you perceive it through taking a photo, writing lines of poetry, sketching, dancing, shooting a video, you are entering into the mindfulness of creativity. You are present in the moment, aware and open.

Post It Note Philosophy 2

Creativity Philosophy Day 2

PIN Philosophy 2

To speak creatively you must first find your voice. Experiment with words, pencils or brushes, a camera or canvas, even your body. Then, once you have found your voice, speak with clarity and purpose.

Creativity and Post It Note Philosophy

Today is the first of September. It is the first day of Spring in Australia and it is Father’s Day. Symbolically it is a time of new beginnings, of creation, of celebrating new life.

I firmly believe in the creative dynamic is a part of everyone’s life; it is not the sole domain of the writer, the artist or the musician, the film maker or dancer. Therefore for the month of September I will post a Post It Note with a statement about creativity. It will be an exploration of what I believe creativity is, and how it can be a dynamic part of everyone’s existence.

Please share and encourage people to find their creativity.

Here’s the first one.

PIN Philosophy 1

Creativity, the act of creation, is an intensely spiritual act. It is a calling forth from the imagination and speaking into reality your vision and purpose.

“In the beginning was the Word.”

Go, and speak.

Everything Is Interesting

Everything Is Interesting

For the creative person, everything is interesting.

Everything.

Every thing.

Every natural wonder, every man-made phenomenon, every moment of human interaction no matter how small or insignificant or significant or world-changing or spontaneous or planned or tragic or brutal, every design or act of chaos is a fascinating study of “Why?”

Every thing is the spark for an opportunity to create.

Every surface is a medium for the intended message.

Every person is a character study for a writer: facial response to sucking a lemon; every mannerism, action, the way the old man eats cake with a knife and fork in a cafe; the way a girl rummages through her backpack; the way pigeons scatter when a child runs through them.

Every sound is a potential sample for a musician: the rattle of a stick down a fence; the clack of a typewriter hammer; the echo in a public toilet, the note of a truck’s horn in traffic; the tempo of the indicator light in the car.

Every colour and shade is an inspiration for a painter: the tomato sauce squeezed from a sachet; the blue of a new born’s eyes; the chocolate smeared face of a toddler; the crisp whiteness of a piece of paper; the triple stripe colour of toothpaste.

Every smell is an olfactory repository for the chef contemplating new flavour combinations: barbequed sausages and onions; the tang of salt on hot chips and the bizarre smell of the pitch-like viscosity of Vegemite.

Every touch is a tangible representation of sensory interaction: the cold metal of a handrail in winter; the stubbly roughness of a three-day growth; the warm sticky flakiness of a freshly cooked cinnamon doughnut.

The mundane is interesting because it allows time to reflect and rejuvenate.

The boring is interesting because it allows your mind and body to rest and let the subconscious sift through the noise of the day.

The spectacular is interesting because we get to see the ingenuity of humanity’s thinking and the testing of the limits of physical, mental and emotional endurance.

And it spurs us, pricks the sides of our intellect, pushes us to create, to stretch our boundaries and create.

For the creative person, every thing is interesting.

Colouring Outside The Lines

As a child, colouring outside the lines was the mark of a juvenile understanding of boundaries and parameters: they were ignored.

You were handed a pencil or crayon and a colouring book and told to have fun. And fun was most definitely had. Scratched lines of pencil or crayon all over the page. There was fun simply in the act of creating marks on the page.

Yet gentle adult encouragement made you aware of the lines of the picture; the boundaries drawn to keep the colours within.

So you took extra care and effort to colour within the lines and make the picture look special. You were disappointed if your pencil or crayon slipped over the line, extending the colour beyond its prearranged designation.

And so it is with any creative endeavour. Initial enthusiasm and fun is gradually replaced with awareness of the skills, parameters and boundaries of your chosen creative medium. You become a skilled practitioner of your creative art and can produce good work.

So, how do you extend your creative skills? How do you extend your knowledge and understanding of your medium? When you are entrenched in your chosen creative medium, whether it’s art, literature, film, painting or music, how do you extend the boundaries and parameters?

You learn to colour outside the lines again.

As a drummer playing contemporary music and musical theatre, I am used to the drums forming a rhythmic foundation, providing timbre, dynamics and tone colour, the beat and rhythm.

The other day I had the opportunity to meet up with Adrian, an old teaching colleague of mine who is an art teacher, musician, boutique record label owner and producer, and a mutual friend and drummer, Costa.

P1010973

The three of us convened in a small home studio out the back of Adrian’s house. We lugged gear in and set up while Adrian placed mics.

There was no preconceived ideas as to what we were going to play and record, except for some youtube clips we had looked at earlier. There were no lines to demarcate the boundaries of our creativity.

Yet how easy it is to rely on the boundaries of what we know. As drummers Costa and I fell into an improvised jam in 6/8, using a form that was familiar to us, creating a beat and rhythm. As we played we listened to each other, playing around each other’s grooves and timbres, sometimes playing with the groove, sometimes playing against it.

We were colouring within the lines.

P1010968

I learned to colour outside the lines because of Adrian’s artistic vision and creativity.

Adrian suggested for the second jam an experimental form playing in different time signatures: Costa played in 4/4, I played in 5/4 and Adrian played in 7/4. It sounded gloriously messy as we experimented within the constraints of the time signature allocated while listening to what the others were playing.

The Junk Collective 3

The last jam was truly a learning experience of colouring outside the lines. Adrian suggested we play not rhythms or beats, but focus on the sounds produced from each part of our instrument.

We used sticks, mallets, brushes, rods, plastic rods on all parts of the drums and cymbals including the rims and stands. I threw a handful of sticks into the air and let them fall where they may. I bounced sticks, mallets and rods off my snare to see where they landed. Adrian used a violin bow on cymbals and played mallets on my kit, Costa’s kit and their “junk” drum kit which consisted of a metal garbage bin, water bottles, saucepan lids made into hi-hats and a metal tea pot.

The Junk Collective 2

It was this last improvisational jam that really expanded my understanding of rhythm, drums and music in terms of creativity. It allowed me to colour outside the lines as I was not focused on the traditional parameters of my instrument, rather learning to see outside the lines and create accordingly.

Artists talk about the ‘negative space’ on the page; what is not there is as important as what is there.

My next step is to apply this principle to my writing.

Whatever creative medium you are engaged in, whether it’s writing, music, art, have you learned to colour outside the lines again?