Tag Archives: metaphor

Adult Scars – Micropoetry

adult scars run deep
prone to reopening
when picked at until
festering scabs form
habits from childhood
where we wish to return

A Thought’s Reliquary

A Thought’s Reliquary

Friday Flash 19 July, 2013

 

I.

He opened the notebook, the creak of cracking cardboard a writer’s melody.
“I see you have yourself a reliquary,” said Grandfather.

“Amen.”

 

II.

Proofs of holy writ, held within the ink of the pen, waited for the opening incantation. He paused and found no words. Was he a heretic?

 

III.

The first words were important and they rushed from the pen; not so much writing as scribbling random thoughts in search of a repository.

 

IV.

Shuffled sheets in a lectionary of unrequited (or unsent) love letters, parables of adolescent anxiety and beatitudes of pop song lyricists,

 

V.

Scratched sonnets and ambling discourses with a hip-hop feel competed for space between the lines. An epistolary apocryphal gospel at best.

 

VI.

He rested the pen between the pages in the crook of the hymnal’s spine, a genuflection, as the last sentence dried in the valley’s shadows.

 

VII.

As the cover of the notebook closed it murmured, sighed through paper exhalations, as one who held their breath waiting for the benediction.

Writing and Sex – A Dubious Metaphor

Writing and Sex – A Dubious Metaphor

In the process of editing a story for submission, I thought about the relationship a writer has with the story. Dark fantasy and sci-fi author Alan Baxter wrote during the week of the editing process as flensing. It is well worth your time to have a read.

I’m going to dirty it up and compare it to sex.

The First Draft – This is when you rip off each others’ clothes and engage in primeval, animalistic, urge-driven sex. It’s a quickie. Pants are down around your ankles. There is no thought to foreplay or decorum. It just happens. It’s rather selfish as all you think about how good your idea is.

Subsequent Drafts – You’ve know reached the “awkward” phase in the relationship with the story. You’ve seen each other naked. But you know there is work to be done.

In a half-baked attempt at romance, you take things a little slower. There is the offer of flowers, desserts, sensuous massage, candles, walks along the beach. Even a movie if you’re particularly keen. You’ve even made a mix tape to make out to. But, you still can’t quite figure out how to get the bra off without appearing like you’re an incompetent teenager and breaking the mood. You have even remembered to shower.

Each time you come back, you’ve learned a little more. You know when and where to stimulate to make it work. You take your time. You luxuriate in your story. You have even gone out and bought new underwear to let the story know it’s special.

Each time you are together, you learn to work more closely, watching, listening, learning.

The Final Draft – You have now learned to make love to your story. You have explored every nook and cranny; you know what turns your story on. You can undo the bra. In the dark. One handed.

Truly you have learned to make love to your story. You consider its feelings by not passing wind when you are intimate together. Snuggling after sex is  enjoyable. Intimacy is achieved; a connection of souls.

If you love something, set it free. If it comes back, you have to work on your relationship some more.

Cigarette, anyone?

Heads or Tails #2

[Fiction] Friday Challenge #163 for July 9th, 2010

In her right hand a woman holds a loaded gun, in her left, a coin that just came up ‘tails’…NOW WRITE…

HEADS

The sweat beaded in her palm, moistening her fingers and lubricating the trigger.  She could feel her grip loosen, yet she resisted the urge to wipe it away, maintaining her control.  She focused on her breathing, the sensation of oxygen consuming her lungs.  It heightened her senses: touch aroused a deeper longing.  The sound of her pulse echoed in her ears.  Sweat mingled with lingering bouquets of wine on her palette.

Her excitement increased as she fondled the pistol in her hand; her breath becoming shallower and more rapid.  With each sharp intake of breath her grip tightened on the trigger.  A final breath drawn in and she squeezed the trigger.  The recoil shuddered through her body, tantalising each fibre as the ripples swept out until they subsided.  Cordite wreathed like a necklace in the aftermath.

The two naked bodies collapsed into each other, rapid breathing raising and lowering their chests against each other until there was stillness.  Her hand lay the pistol on the table, where it beckoned her, reminded her, coaxed her.