Tag Archives: Friday flash

Your Life In Centimetres

You stood beside me as the workmen gutted the kitchen, stripping the carcass to its constituent framework. Twenty-eight years of old Formica and lino, wonky hanging doors, spilled food stains and enough crockery broken through accident and anger.

“Hey Dad, I’m Jonah trapped inside the belly of the whale,” you said waving your hands beneath the exposed timber beams.

You winced as a crowbar jammed into the doorframe leading into the dining room and levered the old timber.

“Please be careful,” you said. Almost an invocation and the workman stopped. You walked over to the bending wood and ran your hand over the names and numbers. My hand followed yours down the lists like a medieval scribe interpreting the sacred texts and pictograms.

I remember when it started, when you were a wobbly one year old, unsteady on her feet. Against the doorframe between the kitchen and the dining room I measured your life in centimetres.

On the evening of each birthday you stood with your feet flat on the floor and I placed a ruler on your head and scratched at the mark with a pencil. You slipped out from under the ruler at the first instance to compare it against last year’s mark. I reached for the permanent marker and fixed your height against the wall like the rising marker of a flood level.

When you were smaller you bounced on the balls of your feet, pigtails dancing in unison, the tape measure in your hand. You wanted to hold the end of the tape measure flat to the floor, looking up it extended towards the ceiling. Scrambling up, you watched me scribe your height onto the wall, writing the secret code shared between us on the wall.

“How high am I now, Daddy?”

“How tall are you now.”

“How tall am I now, Daddy?”

“One hundred and twenty one centimetres.”

Sometimes I would catch you measuring yourself against the wall in-between birthdays.

“Measure me today Dad because I’m taller.”

“It’s not your birthday.”

“I can’t wait that long.”

“You’ll have to.”

A resigned smile followed by a mental calculation of how many days remained until your birthday.

Against the markers the extended family was subjected to a heightist conspiracy: uncles, aunts, cousins, friends. And Gary Brown remains the tallest person you know and measured against the wall, even taller than your younger brothers.

Your mother refused to be measured after a certain age, convinced she was shrinking. Especially after you celebrated the day your line passed your mother’s. You even tried to stand on your tiptoes to prove you were taller than me when you maxxed out at nineteen.

You charted and graphed the growth of you and your brothers for a maths assignment, logging the differences in height from year to year; the growth spurts and the gradual slowing down.

And when I thought you were too old to care about measuring your height, when your friends became more important, you sidled up to me as I was sitting in my chair working on the computer. In your hand was a ruler, pencil and permanent marker. You kissed my forehead, took my hand and pulled me towards the doorframe and said, “You have to measure me, Dad. It’s my birthday.”

Now the wall is flaking and peeling in a thousand layers of sunburnt skin. Or pulled up by the Batlow Red Delicious apple stickers (your favourite) applied around the doorframe. A trail of two hundred and twenty six minute green stepping stones traversing the frame beginning at the floor, following the markers of your height and extending beyond until it came back down the other side of the frame. It annoyed your mother but she relented.            

“At least she’s eating fruit,” she said.

This is your life, measured in increments, dated and catalogued until you were taller no more. This is my photo album, my filing system of memories.

At each evening meal you sat on my left hand side to see the television better but I watched your face and matched it to the lines on the wall.

And then there’s the photo on your wedding day, crouched beside the doorframe pointing at your first height marker. The freckles are still there, I know they are, hidden beneath the layer of makeup. You played dot-to-dot on your nose with a purple texta when you were seven. You scrubbed your face until it was red and raw. Going to school the next day you were so embarrassed about faint lines evident on your face.

Taking your hand from the wood the workmen continued and you waited for the delivery of the totem.

You cradled the wrenched wood as you would a child. Moving out of the noise of the renovations I followed you outside where you leaned it against the wall near the back door.

“It won’t be the same without the old height marker there,” I said.

“It would be nice if you started a new one,” you said. “For the grandchildren.”

You circled your stomach with your hand, looked at me and smiled.

Best of Friday Flash 2: Australian Blog Hop Tour

Today marks the launch of Best of Friday Flash 2 which contains one of my stories, Scar Tissue.

#FridayFlash is an online writing community where people post a piece of flash fiction (1000 words or less) to their blog, link it to http://www.fridayflash.org/ and drop in to read and comment on the work of others.

Writers are from all over the world and five of us included in this anthology are from Australia.

It is my privilege to host Jason Coggins (Melbourne) whose Moult World stories are brilliant (and not for the faint of heart).

Vigilance

Back in town the amber beams of the street lamps swept us like inept search lights. They lit nothing more than our shoulders and baseball caps. The night wanted us out of its darkness. The roads were empty of traffic. The streets silent save for the sound of heavy breathing and thud of our footfalls.

It was gone Nine when we reached Cutlers flat.

The note taped to the door said: “See you at Wild Notes Karaoke Bar”.

Steve tore it from the door with his fat fist. The two pink rolls beneath his chin –which wrapped around where his neck should have been– wobbled.

We got the bastard,” he growled.

Blake Byrnes Art - all rights reserved

Blake Byrnes Art – all rights reserved

For a couple of years back there I was knocking out tales of monsters and wise-ass protagonists as if I was mining a big fat, juicy mother lode of fantasy fic. I was hitting a word count of a few thousand a week as my mind kept me awake at night telling me bonkers narratives I was simply compelled to share with the interwebs. Sadly, this proliferation was pretty much fuelled by a solitude you can only experience upon moving to a new country and having no friends. The only ‘friends’ I actually had any day to day ‘contact’ with existed behind the #FridayFlash and  #TuesdaySerial hashtags. Anyway, I guess I was carving a bit of an outrageous niche writing that which I loved to write. Still, I got to thinking about those poor pathetic actors who are typecast in the same role for their entire careers. And urged on by the amazing Carrie Clevenger to “ditch the unicorns and break the mould!” I decided to write something, gulp … realistic.

Thing is I am an ICU nurse and I get “real” handed to me in big globules of hard to swallow reality all the time. That is why I wrote bonkers stories in the first place. So, no way was I going to retreat into the bloody and often macabre world of modern day hospitals for the ‘authenticity’ I craved.

Fortunately, my iPod saved me! When good old fashion, gritty realism smacked me in the face as New Model Army’s “The Hunt” rang out from my playlist.

The song evoked images of teenage years spent walking the perpetually raining streets of my hometown; always in a gang, always walking with grim intent (though to be honest our only intent was to look menacing). Dark imagery galore! Yet provocative as the imagery of the song was it played second fiddle to the inference that something really … really … nasty was about to be done to someone who totally deserved it … and then some.

Anyway, not once stopping to consider why I was operating under the assumption that for something to be considered real it also had to be dark and nasty I opened Jodi Cleghorn’s #[Fiction]Friday prompt #169. “The note taped to the door said: See you at Wild Notes Karaoke Bar. ” and was off!

The comic strip adaption you see attached above came some time later and in collaboration with Blake Byrnes who wields a paintbrush like Zorro wields a sword. Now, with this story being published in the Best of #FridayFlash 2 courtesy of the mastermind, which is J.M Strother I feel I have come full-circle.

So thank you to all my old friends who lived behind the hashtags #FridayFlash and #TuesdaySerial … it was a honour and an absolutely pleasure hanging out with you x

Once upon a time Jason Coggins wrote speculative fiction to escape the real world. He wrote (a lot) and was published (a little). However, the real world bit him on the ass in 2011 to 2012. He came to realize that outside his door, a growing disenfranchisement in society was growing and playtime was over. Today, he organizes a Street Medic collective, which provides medical and emotional support to social justice activists throughout Melbourne and Victoria.

Jason may return to writing one day … but that day probably will only happen when the sun rises to shine upon a much nicer world.

You can visit the other Australian writers listed below and read a little about what inspired their story.
Jodi Cleghorn (who is hosting Stacey Larner)

Jason Coggins (who is hosting Jodi Cleghorn)

Tim Collard (who is hosting me)

Stacey Larner (who is hosting Tim Collard)

You can purchase Best of Friday Flash 2 from eMergent Publishing.

Shoelaces – Postcard Prose

 

My latest effort in guerrilla literature, ironically dropped in a shoe store as I was buying new shoes.

Payless Shoes – Centro Shopping Centre, Seven Hills

My father sat me down one Saturday morning, my school shoes in his hand.

“We’re staying here until we can tie our laces,” he said.

There was over and under, loops and rabbit ears, going around trees and over fences. All I saw was a tangle of black spaghetti.

My father pontificated as I struggled in the art of mimicry.

“Shoelaces are like life,” he said. “At first it’s tricky and complicated. It’s fiddly and frustrating. Sometimes, it’s the little things that trip you up.”

Looking back down to my shoes to try again, I looked at my father’s feet. He was wearing a pair of slip on work boots.

And, yes, I did put the postcard into a box of slip on shoes.

 

Hand Writing

The calligrapher traced with his forefinger, following the loops and curves of her name scribed in black ink, barely touching the fading parchment. Returning to the start of her name he traced the handwriting again, imagining her face, conjuring her soul and knowing her identity. She was there, encapsulated in her handwriting. He closed his eyes and created a vision of her name in the darkness of his mind, following the form of letters she wrote on the parchment. Opening his eyes he selected a pen and wrote her name, breathing life into the ink as it flowed like blood.

Polaroid Memories

 I

He waved the Polaroid like a fan, an invocation to the camera gods. Greys and whites morphed into a toothy smile, pigtails and brown eyes.

 II

He remembers the pinhole camera made in science class and his first over exposed photo of his gangly best mate with a pudding bowl haircut.

 III

A thousand images plastered to his folder, replicating an editor’s cutting room floor, yet shaped by a teenage boy’s view of the world.

IV

Spooling rolls of film into an old fashioned camera, he searched for her soul through the viewfinder. The weaving of two lives printed onto paper.

V

Breathe in. Breathe out. Push. A held breath as the doctor delivered a little girl. A memory imprinted into his mind like a photograph.

VI

He turned the pages of albums, sheets of acetate and leaves of paper crinkling like autumn drifts pushed and pulled by the winds of memory.

VII

“Make a wish.” Grasping the dandelion in pudgy hands she blew a mix of air and spit, watching the tiny blossoms parachute to the ground.

Jake and Charlotte

 

He invited her back to his place, their conversation far from finished. She was surprised to see the cello positioned in the corner of the lounge room.

“Classically trained from an early age and all through high school. My folks were classical musos and the guitar was beneath them. Had they never heard of Slava Grigoryan? But it was Eddie Van Halen I idolised. I learnt cello as a concession in order to play the guitar. I even learned a bit of piano until they were convinced guitar wasn’t a passing phase.”

He poured two glasses of wine, offering her a seat on the lounge. “Besides, playing cello doesn’t get you the chicks.”

“Do you still play?”

“All the time. It’s different to guitar in its feel, tone, pitch, sound.”

“Would you please show me?”

Setting his wine on the low bookshelf Jake placed the cello between his legs, resting it against his shoulder as he tightened the tension in the bow. With a light finger he plucked the strings, his ear held close to the strings as if he were listening for a heartbeat. Charlotte watched the tattooed arm tune the strings.

Satisfied with the tuning Jake drew the bow across the strings, pulling out long notes, full of longing, resonating deep in Charlotte’s chest. She pulled a camera from her handbag and a roll of film. Careful not to interrupt the virtuoso she adjusted the camera’s settings and closed her eyes for a moment, carried by the music. Opening her eyes Charlotte moved between notes and passages with the rhythm pressing the shutter in time with the music. Through the view finder her eye caught the lines of the bow perpendicular to the strings; Jake’s arched fingers against the neck, his knee hooked into the curve of the cello’s body.

Jake grinned at her once, changing the tune to a quicker, lighter pace before the sonorous tones emerged again. Charlotte crossed her arms and held her camera to the right of her chin, studying her subject. Moving back to the couch she wound off the film and began to reload.

“The sound is sensuous, almost melancholic, yet beautiful,” she said.

“Playing cello is like making love to a woman,” said Jake, his legs straddling the dark stained wood. His fingers rested lightly on the strings, the bow waiting for the invocation of music, the horsehair tickling the strings above the bridge.

“And like all guitarists, you name your instrument.”

The raven-haired woman crossed her legs on the couch and sipped at her wine.

“What’s her name?” she asked.

“Celie.”

The woman frowned, no knowledge forthcoming.

“From The Color Purple,” he said.

“The movie with Oprah in it. I’ve seen it. But isn’t Celie raped by her father and beaten by her husband?”

“I read the novel. It’s the redemption found in love. And you can’t treat a cello like a loose woman. That’s what guitars are for.”

Returning his focus he looked at the woman seated on his couch. She leaned back into the furnishings, her feet crossed beneath her.

“So this is your lover?” Charlotte asked indicating the cello with her wine glass. “How do you make love to her?”

Jake adjusted his legs around the cello. “You embrace her. Find the position where she is resting against you, comfortable and intimate. The body of the cello has the shape of a woman, curved and full.” Jake ran his hand down its body as if he were feeling a woman’s breast or the curvature of her thigh. Taking up the bow he began to play.

The cello’s notes, full of longing, took up the melody. “Each note made up here on the neck is her breasts: sensuous, ripe, engorged. With each touch you develop the song. You caress, press, touch.”

Jake saw Charlotte glance down at her own breasts, the fingers of her hand fiddling with the shirt button, perhaps conscious of their small size. He hesitated to make eye contact and let the music weave throughout the room, passionate incense perfuming the room.

“When you make love, you must remember all parts of a woman’s body. You embrace her to feel the softness of her skin, to inhale her fragrance, to consume her. But her breasts are but one part of the symphony.”

The bow arched and fell as Jake pulled and pushed it across the strings watching flakes of resin disintegrate from the hair and float under the light. The strokes gained intensity, no longer pushing and pulling, but thrusting with controlled ferocity. The music reached a crescendo, held sustained but not resolved. Jake plucked at the strings, the pizzicato quick, flicking the strings, holding the tension. Attacking the strings with the bow, the notes were drawn out in a hasty flight up and down the neck of the cello. An improvised solo, pushing, pulling, thrusting.

The bow arched sharply, the final note held in a vibrato by his fingers on the neck. Jake felt his breathing slow and become deeper. He rested his hands on his knees, touching the body of the cello, a light intimacy, the headstock leaning into his shoulder.

Charlotte, the raven-haired woman with the camera for eyes, put down her empty glass. Crossing the floor she felt Jake’s arm curve around her waist, pulling her into his lap. Positioning the cello between her thighs, her hands shadowing his as fingers. The bow moved arched slowly over the strings and her fingers followed his like a spider on the neck. Even now she could feel the vibration through the bow moving up his hand and into hers. Turning her head, her mouth brushed against his ear.

“Play me.”

 

This is an extract of a longer piece, which you can read on Sunday, as part of the Write Anything Form and Genre Challenge. Many thanks to Jodi Cleghorn for giving me permission to use her characters, writing the beginning of their relationship.

You can read the story that inspired it here: What I Left to Forget

 

A Modern Family Christmas Letter

Greetings to family, friends, acquaintances, hangers-on and my parole officer,

2011 has been a great year for the Bright family.

The beginning of the year saw the release of Father Robert Bright from his time as a suit and tie man with his retirement. He said he was glad to be rid of the routine of work. Now his routine consists of the couch, the newspaper, television and the garden shed. His favourite couch bears the burden of his backside but is given respite during the afternoons when he potters down to the local pub for a beer. It is a little embarrassing when he trundles down in his tracksuit pants with the threadbare bottom and slippers where his toes poke out the end. I’ve tried to make him change but his response is always the same, “But they’re comfortable, woman.”

Retirement has given him more time in the garden. This year he exhibited his orchids in the local show and did quite well. He seems to have taken up smoking again, although it doesn’t smell the same as the pipe tobacco he used to smoke all those years ago. It tends to make him quite peckish and he asks for a toasted cheese sandwich before breaking into a fit of giggles. And for some reason, Robert has gotten to know a large number of young people who come along to the flower shows. It is good to see young people taking an interest in botany.

Retirement suits us and we are thinking of buying a caravan and living the life of grey nomads. The children are old enough to take care of themselves now and we deserve a little fun in our dotage.

Adrianna finished her third year of law and her twelfth phase of experimentation. This year she explored the many varied definitions of the word “gay.” Before that there was veganism, socialism, ecological concerns and some obsession with a book about vampires and werewolves. She is our little “quiet achiever” so we aren’t too concerned.

We finally managed to get Jack over the line in his final year of schooling. It took many hours and many visits to the Principal’s office, but we managed. The Principal even wrote us a lovely letter of recommendation when Jack finished.

Jack’s fascination with fast cars landed him an apprenticeship with a local car dealer and he has been loving every minute of it. My little Datsun 120B has never run smoother. However, the addition of new paintwork makes me a little embarrassed to run down to the shops. Jack added some flames pouring from the wheel arches. I think it looks like a Matchbox car. And the fluffy dice and garter hanging from the rear vision mirror do make it a little hard to see sometimes.

He has been seeing a lovely young lass by the name of Felicity. They met at TAFE studying auto engineering and have been inseparable ever since. She and Jack spend many hours discussing cars, although I do wish she would put some clothes on sometimes. She’ll catch her death of cold if her skirt climbs any higher up her thighs. And she has an unfortunate tattoo on her lower back. I can see it as her jeans tend to sit quite low, revealing her underwear, although I fail to see how a piece of string counts as underwear these days. The tattoo reads, “Ride it like you stole it.” She must love cars to express her passion in such a permanent way. Coincidentally, I once found an unused prophylactic on the back seat. Jack swears it belonged to a friend and that it must have fallen out of his pocket one evening.

I think young Jack needs a new prescription for his glasses. He keeps getting pulled over by the police for speeding. He swears he was doing the speed limit.

Great Aunt Beryl is getting younger every year. This year it’s been her knee. Her knee is one of those new-fangled plasticy doo-dads that comes with a lifetime guarantee (which for Great Aunt Beryl may not be that much longer).

This knee goes along with her other knee, both hips and a set of breasts Dolly Parton would be proud of. For the life of me I can’t imagine young looking perky breasts protruding from a chest which Robert says had enough folds of skin she could be a MAD magazine fold in.

This year for me has been one with its ups and downs.

It’s been a tough year on the tennis circuit. We had a new member join us who looks like Anna Kournikova. Well, Anna Kournikova in 40 years’ time. I’ve had to attend a number of funerals of ladies from the club whose time has been called. “Game, Set and Match” as one wit described it. The old black tennis skirt has been getting a workout. It may need replacing next season.

What with Bridge Club, my Book Club, the Country Women’s Association, Meals on Wheels and meeting with my parole officer, I never seem to have a moment to myself.

Have to run along and tend to the Christmas pudding.

Wishing you all a fabulous 2012.

Much love and hugs and kisses from me and all the Bright family,

Miranda

Merry Christmas 2011

Paper Aeroplanes

The seagulls swooped and fell while others drifted on the updraft, hanging in the air like a child’s mobile suspended above their cot. The waves pounding the cliff face below provided the music, a lullaby of breathing in and breathing out.

I caught a glimpse of a Wandering Albatross whose wingspan is longer than I am tall. They say the albatross never touches land, except to feed and to mate, drifting from current to current. Is the albatross I see on the edge of the horizon a lost soul searching for home?

The ruckus of congregating seagulls at my feet was angling for the scraps from my lunch of fish and chips. Cheeky buggers; they have no manners. But I envy the birds and their power of flight.

When we were kids, my older brother and I pored over books we borrowed from the Library on paper aeroplanes. We manufactured every design and plan, testing our creations from the back deck of the house. Some we built for tricks, others for distance. My brother was fascinated with the physics of flight while I found the artistry in the folding. I branched out to origami, creating flocks of flightless birds I hung from the ceiling in my bedroom.

The need to fly never left me and I found the power to fly through words. Pen and paper, ink and ideas.

At my hand lies an old journal of mine I found when cleaning out boxes from the garage. My fifteen year old self was such an idiot. But there were words and sentences; flights of fancy in ribbons of black ink. I would slipstream over and under the words as they flowed.

Simply on a whim I tore a page from the journal and fashioned a crude paper aeroplane. Standing up from the picnic table I moved towards the edge of the cliff, parting the seagulls as an avian John the Baptist. As a prayer I launched the paper aeroplane, throwing my words into the world.

My word shall not return to me void, says the Lord God Almighty. I so hope the words coming back to me aren’t swear words.

The paper aeroplane took flight, bobbing in the eddies and draughts, flying down towards the maelstrom of waves. It dipped and spun, ducked and weaved to be consumed by the waters below.

Pages flew from the hanger of my journal, transformed into shapes born for flight. Some plummeted to the ground, felled by the weight of the words. Others returned to me from the void, swept upwards by thrusts of air. They flew over my head and were lost in the scrubland behind the car park. The temptation to search for my words was strong, to see what was so important that it should return, but I let them be.

With my journal now a spine without a body to support, I headed back to the car. I paused from turning the ignition, caught by one more vision of the albatross. Childhood has aged into adolescence, matured into adulthood, yet I am still learning how to fly.

Sounds of the Heartbeat

A Rhythmic Pulse in Seven Parts

Prologue

With a wavering finger, the stylus dropped from the cradle onto the vinyl with hisses, cracks and pops.

I

A sloshy whumpa whumpa whumpa pulsed from tinny speakers, sounding all too fast to new parents’ ears.
“It’s perfectly normal,” reassures the nurse. She needn’t ask if it’s their first because she can see it. She can tell from the goofy smiles, the clasped hands, the shuffling feet.
“It makes a good techno beat,” he says, bopping his head.
A grainy black and white sketch modulates on the monitor, an almost static display.
“It’s an explosion in a rice factory,” she says.
The rice concoction flurries as the sonographer squelches through conductive gel.
“Bladder press,” she giggles.
Toes, hands, head, spine emerge in the rice pattern. A pause. The smallest of movements of the grains of rice, off-centre.
“And there is your baby’s heart, beating perfectly.”

II

In the quiet hours of night, a small figure wearing pyjama pants that are too long, cries at imagined figures he sees in the shadows. His tears fall in blubbering sobs as the shadowy figures are held at bay in the fortress of his mother’s arms. In the crook of her arms he rests, soaking the shoulder of her pyjamas with his tears and snot. The bedside lamp banishes the shadows. Rocking gently she feels his little heart thumping a staccato march against her own, a peculiar poly-rhythmic ostinato. The frenetic pounding of his heart pushes adrenaline until it is consumed. His pulse returns to resting pace, and the whispered breaths of sleep.

III

Adrian’s bestest present on his eighth birthday was a stethoscope, a gift from Auntie Louise. The sounds of birthday chatter receded and amplified as he put the ear pieces in. The sound of his breathing echoed in his head.  Pushing his t-shirt up and placing the bell of the stethoscope on his chest he heard da-dum da-dum, da-dum da-dum.
“I can hear my heartbeat,” he said.
“Too loud,” said his mother. “You have the stethoscope in your ears.”
All the young cousins came over and Adrian listened intently. The stethoscope passed from hand to hand and ear to ear as the new music of their hearts astounded them.
“Can I put it on your chest and listen to your heart? Adrian asked his cousin, Bella.
Bella crossed her arms across her seventeen-year-old bosom, blushing at her family’s laughter.
Adrian frowned as Bella strode into the kitchen. His mother, hiding a smirk behind parental duties, ushered him away and changed the topic.

IV

Two hearts beating in unison. Two bodies of flesh made one. Sated and spent, clinging to each other in love’s embrace, gulping in mouthfuls of air, lest the “little death” claim them both.

She giggled as his whiskery stubble grazed her breast. He mumbled an apology and lay still, resting between her breasts.

In his ear he felt the blood rushing through her body; the pulse a subsonic rumble of a laden passing freight train.

Her nipple softened as the freight train faded into the distance. He eyed it greedily, waiting for the train to pass by again.
V

He awoke to the sound of elephants tap dancing to heavy metal blast beats. Shaking his head, he failed to dislodge them and bring down the curtain on their impromptu performance. Lying very still he found the ruckus more bearable.

“Hi Dad.”

He waved at the dislocated voice as his heart relocated itself in his head, thumping behind his eyes.

“Dad’s awake,” the voice yelled. The elephants resumed their limited repertoire.

“Good afternoon, darling,” said his wife. “It must have been some celebration.”

All he remembered was too many beers after the Wentworthville Magpies C Grade won the Grand Final. And then there was some illusory scrap of memory of karaoke. He was singing. He should never be singing.

The whumping of the pulse behind his eyes provided the bottom end bass tones for the elephant performance. He hoped the finale would be short lived.
VI

The sun had only been up for a couple of hours, but his hands were already immersed in soil and mulch. Resting on a high stool he focused his attention on the bonsai Japanese maple tree. Before him lay small secateurs, copper wire, scissors.

His grandson shadowed his side. “You look like a giant with all these little trees, Grandpa. What are you doing?”

“Listening to the music of the spheres.”

The boy looked nonplussed.

“It’s the heartbeat of the universe, knowing when to plant and when to reap, based on the phases of the moon and the turning of the seasons. It helps me to see how to shape this little tree.”

“Does the universe have a heartbeat?”

“Yes. It’s in all living things. It takes a careful ear to listen to their rhythm.”

“That’s weird.”

“Come on. Let’s water the fruit trees.”
VII

The mechanical ping of the heart monitor chimed. The gathered family watched the machine pulse and then turned to the rhythm of his chest rising and falling.
Each person imagined his or her own heart rate falling into unison with the machine’s ping, a snare drum marking the beat of a sombre funeral march.
The pings grew further apart, registering the time slowing as springs unwind in a clock before coming to rest.
At the request of a nod, a nurse turned down the volume.
A final inhalation.
Exhalation.
Cessation of rhythm and the ping changed to a single note, a pulse of finality.

Epilogue

The stylus returns to the cradle as the record spins to a stop.

Pillow Talk

“What do you mean ‘Headaches were not listed in the brochure’ darling? Don’t look at me in that tone of voice.”

“I only meant it as a joke, sweetheart.”

“The reason I have a headache is because we spent all day on the water, and, despite wearing sunglasses, the glare off the water and the champagne we drank has given me a headache. I’m not saying it because I don’t want to have sex with you.”

“I didn’t doubt you had a headache. It was meant as a joke, but it seems to have backfired slightly.”

“A headache is a headache. What you said indicated you were disappointed you weren’t getting any tonight.”

“I’m sorry. It was meant to be a light hearted jest. This is our honeymoon, after all. I thought we could spend some more ‘quality time’ together.”

“What do you think I am? Just because we’re on our honeymoon am I an amusement park rollercoaster to ride whenever you please?”

“No, I don’t think you’re…”

“I’m not the one with a penis bursting out of my pants simply because I ogle even a glimpse of boob. Is this what you were after? Just a moment ago you wanted my boobs in your face and now you won’t look at them?”

“At the beginning of the week you were up for almost anything. I’ll never look at the mini-bar fridge in the same way again.”

“Do you think I can be turned on and off like a vibrator? Take me, baby. I’m all yours. What, all soft and soggy now? Won’t the bucking bull try and throw off the cowgirl. And I wouldn’t go comparing myself to a stallion; a Shetland pony is more your style.”

“I’m sorry I said anything.”

“Don’t turn your back on me while we’re talking. I know this is our honeymoon and we have the rest of our lives to be together, but it’s not a 24-hour shag fest. It would be good to see a bit more of the sights while we’re here.”

“Okay, we will. Is this conversation finished?”

“Not even remotely. Poking me in the back with an erection and asking if I’m awake does not count as foreplay. Sometimes I like surprises, but occasionally, some effort and consideration wouldn’t go astray. And you can forget about the camera. I am not risking candid snaps ending up on my mother’s facebook page. And while we’re on the topic of ‘Things That Annoy Me’ it wouldn’t kill you to leave the bed before breaking wind. It is not necessary to fluff the blankets to check if it smells. Stop laughing. You thought I was asleep the other night when you let one rip.”

“How did a discussion about our sex life become an argument about my personal hygiene habits? You aren’t much better. The other day in the supermarket you dropped a landmine when you were with the trolley. I came back with the bread and copped a nostril of Satan’s butt crack.”

“I didn’t know it was going to smell.”

“You whisper with a clenched fist when you fart. And do you mind not taking a whiz while I’m brushing my teeth. It’s just… wrong.”

“If you could aim for the bowl, it would be greatly appreciated.”

“I’ll aim for the bowl if you don’t leave skid marks. Nothing worse than opening the lid and finding the brown hornet has practiced landing runs.”

“That’s gross.”

“You’re the one who started down this line of argument. And I don’t appreciate morning breath that would strip paint from walls in my face.”

“I don’t have stinky morning breath.”

“How would you know? You don’t have to breathe it in.”

“This bloody headache is killing me and the tablets haven’t helped much. I’m going to sleep. Good night.”

“So, sex is out of the question tonight, then?”