Tag Archives: fiction

Zentangle #15 Two Ravens

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TWO RAVENS

I had
two ravens
one
to forget everything
remember
you become sad when
you 
let go

Handwritten Pages #15

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     She ties the dressing gown around her waist. Lines up her toes where the metal coping separates the hallway carpet from the bathroom tiles. A diver’s stance. Anticipation of the tiles’ coldness.
     She steps. Plummets. Side steps the bath mat. Plants her feet squarely. Small ripples quickly subside. The cold tiles prickle the soles of her feet until it stings. Tapers off to an equilibrium.
     Repeatedly she will lie on her back on the bathroom floor undressed. Lets the cold of the tiles fight with the heat of her body. She relents. Acquiesces. Adds a layer of permafrost to her heart against the fire of her mother’s tongue.

Handwritten Pages #14

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     It is the rhythmic rasp of the sandpaper she likes best. A counterpoint, and companion, voice to her grandfather’s asthmatic wheeze as he makes furniture and occasionally toys. Punctuated by the cough of the match head on the striking paper to light his hand rolled cigarettes.
     She can discern by ear the coarseness of the grit against the grain. Jarrah, pine, mahogany. He gives her the cork block and a sheet of sandpaper. Converses with her through each stroke.
     She knows, one day, this conversation will cease.

The Articulation of Stories as Scars

Last week during a reading of some blog post or another (and for the life of me I wish I had kept the reference to link you to it; I went searching through my browser history without luck) and this idea developed:

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My apologies to the original author whose work I was reading because I don’t think my thought is originally mine, simply a reworking or a remixing of what I had read and I don’t want to pass this statement off as purely my own. I’m using it as a launching point for discussion. 

As a story teller, the narrative I am creating has a purpose. For my writing, I want to explore the lives of ordinary people, to understand who they are, their decisions and the ramifications.

I do not write autobiographically so the story is not an attempt to exorcise a past, redress an indiscretion or justify a choice. But a narrative, once released to the reader, can wound or heal. 

A story has the potential to open up issues in the reader’s past, or to dress a wound. Such is the power a story can wield. As a writer, I don’t know what the impact a story will have on the reader, and it is my hope that the story I write will move the reader in some way.

The stories we tell one another, orally or written, are evidence of the life we have lived. Those stories are like scars; wounds inflicted by accident, neglect, or others. They are markers of who we are, what we were, what we have become and what we want to be.

Sometimes those scars are worn with pride. Sometimes those scars are hidden. Sometimes those scars are repurposed, redecorated.

This is the power of the story.

Zentangle #7 Bare Feet

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Every so often
walk with bare
feet
in the trees
stand and
imagine

And a bonus black out poem

the-other-side

I know 
the other side
I know
another direction

Zentangle #6 Celestial Bodies

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celestial bodies
would be
quite unbearable

And a bonus blackout poem for your enjoyment

odd-things

Handwritten Pages #13

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Sonia waited on the platform, trailed by her shadow, for the last possible moment to board the train. She wanted to time her entrance into the carriage with the closing of the doors to separate her physical body from her shadow. So far, she had not succeeded.

Today’s Handwritten Page was inspired by this image. It was a  random prompt given to me by a friend. 

train-station

Handwritten Pages #12

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The boy said, “Daddy, you’re crying. Are you hurt?”
“Yes, I am.”
“Where? I can’t see it.”
“In my heart and in my head.”
“Why?”
“Because Grandpa, my father, died and I miss him.”
For the first time the boy knew a pain beyond the physical scrape of a grazed knee, the sting of Dettol and the salve of attention.
In the awkwardness of facing human pain he saw the wounded soul seeping out from behind an imaginary Band-Aid; a too small covering for a gaping wound.
He leaned forward and kissed his father’s forehead.

Post Marked: Piper’s Reach Christmas Special

It’s nice to return to previous stories and characters. The collaborative epistolary novel I wrote, Post Marked: Piper’s Reach, while still seeking a home for publication, provides a wonderful depth of characters and ideas to return to.

Jodi (my co-writer) and I have often bounced around ideas for other stories in the world of Ella-Louise and Jude, and the town of Piper’s Reach. 

Two years ago we released a Christmas Special focused on the night of the surf club Christmas party in 1991. There’s a lovely tradition in English television of the Christmas Special episode. Think of Doctor Who.

The night in question is mentioned in the letters so it was a natural place to return to and looked at their burgeoning, and doomed relationship, while also seeing their lives through their family and friends.

Old friends, like old characters, well met. We have a very soft spot for the characters of Ella-Louise and Jude; they are our “comfort writing;” the writing that flows almost unconsciously to create the lives of characters we lived with for so long that we see them almost as real. That if we were to walk down the street we’d recognise them in an instant in the crowd.

Therefore there will be a NEW Christmas Special released this year. Stay tuned for details!

If you’re unfamiliar with Post Marked: Piper’s Reach, drop into the website and introduce yourself to the characters.

Zentangle #3

An evening spent with Jostein Gaarder’s “Through A Glass Darkly” (where the previous two zentagle poems have come from) brought about this piece.

invisible words
float between 
each voice

you can lie with 
a single word

what delicate instruments
when the window is shut

I can sometimes
see with my ears

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Reflection

Unlike other zentangle examples, I cannot doodle. I find it difficult. Shapes, patterns, scribbles, images do not figure in my thinking.

I see the page for the words and the meaning contained therein.

If I had the foresight I could have used the space within the speech balloons as a canvas for doodling but I preferred the blackness; the negative space to draw attention to the words.

Making art because art. No other reason. And that’s the thing. You art. You experiment. You play. As Neil Gaiman says, “Make good art.” Not sure this is good art but I’m making art.

I hope you’re making art, too.