Tag Archives: experimental

New Publication – Untethering

 

Coming up at the end of May, my good friend and writing co-conspirator, Jodi Cleghorn, is releasing a companion volume to her collection of short stories “No Need to Reply.”

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The new volume is “The Heart Is An Echo Chamber” and it is a little different. It is different in that Jodi is not the author of this collection. In fact, it is a collection of writers responding to the stories from “No Need to Reply.”

The writers include Tom Dullemond, Kristen Erskine, Stacey Larner, Ben Payne, Lois Spangler, Helen Stubbs, Rus VanWestervelt and myself.

We each took a story from the original volume and reworked it, taking it to different places, from different angles, from different perspectives. 

 

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My story is “Untethering,” the companion piece to “Squeezebox.”

You can grab a copy of “No Need to Reply” here at the link before the new volume drops. If you want a physical copy, you can grab it for cheap. Ebook is Pay What You Want.

It will be published as a limited edition chapbook (hand numbered by Jodi) or you can grab the ebook.

If you’re in Brisbane, Australia, keep an eye out for the launch in late May.

Stay tuned and I’ll let you know when the new volume is released.

 

Two New Poems for Old Acquaintances

At the end of last year, two of my colleagues left. One retired and one was returning home to another state before heading off travelling.

In a sudden moment of ideas, I composed a poem for each. I couldn’t read them aloud myself because I hate farewells and ended up a blubbering mess in the corner while other colleagues read them for me. Wuss that I am.

I will share them with you, even though you don’t have the context of the people I know because I like them as stand alone poems.

 

Athena’s Owl

The light is extinguished at day’s end
the filament fades from white to orange to yellow to black
                                                              to signal slumber’s rest
          shadows encroach where light once reached

Athena’s owl ruffles her feathers for one last flight
          preens from quill to tip and one soft downy feather
          falls like a summer cloud
          rides the drafts and settles in the corner

In the silent moment before flight
          she takes one final glance
launches on soundless wings
          the warrior of the night.

We wake at morning’s first touch and
                               find the roost empty

Our hearts turn to sorrow and mourning
for wisdom’s presence is no longer amongst us
we run our fingers along the perch, the grooved indentations
of claws leave furrowed rows of knowledge

The wind reaches into the corner
                              lifts the single feather
the movement catches our eye; we reach down
                              hold the quill between thumb and forefinger
                              our extant memory
a reminder of wisdom’s presence,
                              her integrity and compassion
We are made the wiser because of her.

Diaspora

The wind asked,
“How now, spirit? Whither wander you?”
Wherever you may take me
But I will not be driven like the autumn leaves
Aimless, directionless, at your capricious mercy.
I will set my sails and use your strength
To take me to foreign lands.

The wind said,
“You have not moved.”
I have travelled the length and breadth
Of my imagination; my feet are not weary.
I will choose when to tie my laces
shoulder my pack and
Cross the threshold of my volition.

The wind asked,
“When will you find a home?”
I find a home where there is a bed for rest
a cup of tea
a book to read
a pen to write with
a nook for study
a place where my heart is at peace.

And the wind was silent.

The Earthen Man

This was an attempt at a spoken word poem whose genesis was at school where a group of Year 10 students were being introduced to slam poetry.

I took one of the prompts and explored the origins of my name. It is rough but a fun activity to explore. Hope you enjoy it.

The Earthen Man
When I heard the minister pronounce the benediction

At my grandfather’s funeral
“Ashes to ashes, dust to dust”
the recitation of symbolic circulation
I hear echoes of my name

Adam

accent the first letter with exhalation of breath, “Ah”

“Ah-dam”

a whisper of life escaping.
Count those breaths, man of earth, keep a record, keep a tally.
Know its origins lie in ancient roots and ancient lands
your genesis is found in holy writ
the clay, the breath, the man created
the Play-Dough of God’s creative work

“Ah-dam”

a synonym of man and earth
a story deposited and poured from one jar of clay to the next
through eternity’s hourglass until the dust and ashes settle
inverted and another life begins

“Ah-dam”

this life begins as the conjugation of my father’s seed, my mother’s soil
the banker and the occupational therapist
the handy man and the artist
and I look at the dirt beneath my fingernails
see it is more my father than me
but I have mown my fair share of lawns, dug holes and shifted topsoil
I am more likely to find ink beneath my nails
from pens where words seep out like
the sap from a tree I never planted but I am learning to climb
now I garden with words
planting syllable seedlings in the the dust accumulating on the windowsill
in notebooks and diaries and journals
whose pages I imagine falling out like the petals of the cherry blossom
in my parents’ backyard, a delicate cascade of vowels and consonants

“Ah-dam”

in retrospect, memory is an archaeological examination of a past
digging through layers of soil
stratified artefacts poured through a sieve of inconsistency

“Ah-dam”

while the root system seeks out good soil
the surface is choked by weeds and caged by thorns
the fruits of labour harvested
a meagre handful, barely a morsel
a portion for one
let alone enough to feed a family
or the overflow to lay out a feast for friends
and strangers
I would be wise to reap the harvest
plant new seed at season’s turn

“Ah-dam”

the late starter to a race
trying to peg his pace with the front runners
rather than running his own marathon
the rhythm of a heartbeat
I have not kept time with
a pulse I lag behind most often
while trying to rush ahead

“Ah-dam”

Feet of clay baked over many summers
Running barefoot through the streets
Dodging bindies, stones and once, a rusty nail
Embedded into the sole of my foot
A fissure that now lets the water in
disintegrating in the tides
of people

“Ah-dam”

are we more than bags and bags of soil or fertiliser
stacked on shelves in mausoleums of DIY self-aggrandisement?
let me remove the speck of dirt from my eye
form the rain around this granule of dirt
and I will water the ground
from which I came

Book Versus Movie Part 2

A little while back I argued in Book Versus Movie that there is much to gain from seeing film as a different language of art. 

But I’ve been thinking about it some more and watching The Book Thief on tv recently crystallised another aspect of the book versus movie debate. I didn’t watch the entirety of the movie (I will watch it in full one day) for one reason that  I hadn’t thought of: voice.

I love The Book Thief. It is a magnificently written book and one of my favourites. Death narrates the story and it is this voice, and the voice of the author, that makes it such a stirring novel for me. While watching the film, I didn’t have the same sense of voice. The film looks superb, the characters well defined, but it was the lack of authorial voice that I was expecting that made me turn off. 

Similarly, my viewing of The Lord of The Rings is informed by my reading of the novels. There are parts that I love and adore in the film, and others that are just downright cheesy and lacking the right voice to give the scene its proper gravitas or humour. The voice of LOTR is sometimes as dry as mortuary dust but that is what gives the novel is authenticity and pathos and humour.

Voice is one of those almost intangible aspects of writing; you know what voice you like, those you do not, those that sound mellifluous, those that sound like a Year 9 class on Friday afternoon. I think voice works for cinema too but it is more a chorus.

The “book was better than the movie” debate is too simplistic and we need to unpack it to understand why it is said, and whether we believe it or not. Both are art forms, with different voices and different modes of production, and should be treated as such. To simply divide is to denigrate one art form, extol the other and the division is not helpful. 

Appreciation and understanding is the aim.

One Image, Two Conclusions

Last Friday I had a shocker of a day at work; the end of a long and tiring week which meant that I did not shower myself in glorious brilliance. And, as they say, the hits kept on coming.

It was nothing earth-shattering and it didn’t affect me directly but a piece of news that hit me at my weakest in terms of creativity and my own writing progress because over the past few months my writing time has suffered due to work commitments, and the ability to find the mental and emotional energy was sorely lacking. And it manifested itself in frustration and, if I am at all honest, jealousy.

I hit up a creative friend and simply vented in private. In the words of John Farnham, to “take the pressure down.” And it felt better to whinge about my own predicament and celebrate the success of others.

Over Saturday I was playing around with my phone, a new notebook and my fountain pen, to take a photo.

The first result was this:

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Aside: The fountain pen was a gift from my colleagues for my 40th birthday a couple of years back and the inscription reads, “When your heart speaks, take good notes.”

And every writer knows this feeling. However, in my current feral state of mind about getting stuff done, it was a challenge, an affront, a curse, a mockery.

But, shaking off the negativity, I changed the photo to this:

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Comparing yourself to others is a sure road to bitter disaster. Pursuit of your own goals and dreams is the correct path. 

Photo A Day In January – Part 2

Here is the second collection of images from the Photo A Day in January challenge.

A reminder of what this looks like:

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Day 11 – Outdoors

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Day 12 – Something I Wore

I wore these for a friend's wedding almost 20 years ago. They have held up really well. Still wear them from time to time.

I wore these for a friend’s wedding almost 20 years ago. They have held up really well. Still wear them from time to time.

Day 13 – Three of a Kind

Tiny beanbag chickens

Tiny beanbag chickens

Day 14 – Close-Up

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Day 15 – Mail

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Day 16 – Chair

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Day 17  – Faceless

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Day 18 – White

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Day 19 – In the Hand

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Day 20 – Patterns

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The After Analysis Is Fading – A Blackout/Mashup Poem

Just before Christmas my writing co-conspirator sent me a mash up of two pages (and stupid me forgot to take a ‘before’ picture) and let me loose to see what I would do with it.

The left hand page is the front page of the New York Times, the day after the moon landing. The right hand page is a diary entry.

I turned it into a blackout/erasure poem and reproduced it below with some changes to punctuation.

image

The After Analysis Is Fading

to have to go
a half degree
angle it and take a swing
without threatening the surreal
earth. There is no time to
whisper
heartbeats told of a religious space
the time to see each other
but isn’t now
and I agree.
command, kiss his cheek, and
informed it’s not tentative
his arms
replied. not actually going to let me go.
the unsaid stuff in 
degrees in the sunlight. We let each other
kiss
degrees below zero, short enough to stop it becoming
a blanket, more like floating and less
night
I see his light, he’s 
higher, put the window down
this landing in the 
after analysis is fading
flying through the 
equator, the beautiful buzz
reduces the messenger
the moon

Community Over Competition

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I posted this yesterday and it was what I believe in.

I want to develop creative communities for amateurs and professionals where they can meet in real life and online to support and encourage, critique and develop, brainstorm and collaborate.

Gathering artists, musicians, writers from different creative fields to be a support network. We all tend to congregate with like minded artists (for me it’s writers) but how much more would we gain if we also met with other creatives to expand our thinking?

Creativity is about developing and championing community and the individuals within them. 

Who will you champion in your community?

Poetry Is Planned, Prepared, Edited, But More Often It’s Random

I love the spontaneity of writing, the burst of an idea committed to paper simply because you’re in the right place at the right time.

Then comes the hard work of making the piece sing.

Sometimes it’s playing with words as practice and having some fun. That’s what I did yesterday. 

I took an image posted on a friend’s Facebook wall and scribbled out an idea based on his caption, “and then the albino human statue unicyclist flew off into the storm…”

Albino Unicyclist Statue

Albino Unicyclist Statue Photo by Rob Cook (@robgcook)

This is the result

the albino fiddled with the coffee
splashing froth and milk and sugar
a hastiness borne of watchfulness

he stirred, attacking the inside edge of the cup
the clink, clink, clink an echo of rain
spattering on the window
grasping the cup between his hands
the white of one shadowing the white of the other
his fingers tapped a thunderous morse code
paused
drained the cup
and then the albino human statue unicyclist flew off into the storm…

It was a random exploration and expression of an idea based on an image and its caption. 

Try it out as a writing activity, a way to practice and develop new ideas. As I posted recently, experimenting with Storybird does the same thing.

Experimenting With Storybird Part 2

One of the joys of being on holidays, apart from wearing tracky dacks all day every day and eating any bag of chips left lying around, is playing with new avenues for writing. I mentioned Storybird last week and presented a few poems.

I have been playing with a few more and present them here for fun.

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