Zentangle #13 Notebook

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NOTEBOOK

the notebook was
a promise
to never tell lies

Zentangle #12 Decoration

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DECORATION

below ground
a decorated
little brother
the bedside table
a vase of flowers
a dustpan and brush

Zentangle #11 Information

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INFORMATION

two bodies
of flesh and blood
turns to information
there’s mischief in creation

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WEIGHTLESS

lock the door
slide
to a stop
like a weightless
Or
Or
Or
Or
Or
Or
Or
Orgasm
hover in
eternity

 

Coming Soon:
I am making my Zentangle and Blackout Poetry for sale.  Stay tuned.

Handwritten Pages #14

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     It is the rhythmic rasp of the sandpaper she likes best. A counterpoint, and companion, voice to her grandfather’s asthmatic wheeze as he makes furniture and occasionally toys. Punctuated by the cough of the match head on the striking paper to light his hand rolled cigarettes.
     She can discern by ear the coarseness of the grit against the grain. Jarrah, pine, mahogany. He gives her the cork block and a sheet of sandpaper. Converses with her through each stroke.
     She knows, one day, this conversation will cease.

Zentangle #10 Play

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PLAY

if no children 
play
there’s no story

Zentangle #9 Cinema

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CINEMA

retreat
to witness
the cinema
in your soul
shout and scream
“I want 
to believe
I’m just so!”

 

The alternative title for this poem is “Existential Bullshit” because nothing says existential, nihilistic angst crisis than an appropriation of Edvard Munch’s “The Scream.” 

On another side note, I will soon be making my zentangle/blackout poems and Handwritten Pages available for sale. Stay tuned.

Zentangle #8 Coloured Pencils

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COLOURED PENCILS

create something
slightly different
give life
to coloured pencils
All mysteries are
meant to be

More Blackout Poetry To Keep Making Art

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MAKING A POET

I shall
taste
the emptiness
of years
and
swell into
a poet

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PUBERTY

I’m not
fully conscious
why
hair grows
in other places
all that flesh and blood is
the idea
to grow up

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QUESTIONS

I ought to really
ask you a typically stupid question

Words Are Really Bloody Hard Sometimes

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Another of my random twitter thoughts (shown above) sparked another line of thinking. 

As a writer, words are the inadequate representation of our experiences, our emotions, our memories. Yet they are what we have to suffice our mental connection with another person. 

Whether it is the spoken word or the written word, finding the words, or sentences, or paragraphs, or chapters, or epic tomes to convey the depth of what it is we are feeling, is the greatest of challenges. 

We put names to our emotions, the feelings that stir in our stomachs, our hearts, our minds, because to name it is to find a location, a home, an understanding. 

How it is expressed is another challenge. A single line, an epithet or couplet can capture the essence of our emotional complexity. Conversely, it may take an entire novel to plumb the depths and we still feel we haven’t explored the parameters.

We piece together our understanding of our emotions through poetry, novels, anecdotes, newspaper articles, plays through the actions, thoughts and decisions of the characters in the hope we will gain greater tolerance, insight, perspective and sense of self.

We share a common language and vocabulary to share our common humanity yet, sometimes, words are really bloody hard to find.

The Articulation of Stories as Scars

Last week during a reading of some blog post or another (and for the life of me I wish I had kept the reference to link you to it; I went searching through my browser history without luck) and this idea developed:

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My apologies to the original author whose work I was reading because I don’t think my thought is originally mine, simply a reworking or a remixing of what I had read and I don’t want to pass this statement off as purely my own. I’m using it as a launching point for discussion. 

As a story teller, the narrative I am creating has a purpose. For my writing, I want to explore the lives of ordinary people, to understand who they are, their decisions and the ramifications.

I do not write autobiographically so the story is not an attempt to exorcise a past, redress an indiscretion or justify a choice. But a narrative, once released to the reader, can wound or heal. 

A story has the potential to open up issues in the reader’s past, or to dress a wound. Such is the power a story can wield. As a writer, I don’t know what the impact a story will have on the reader, and it is my hope that the story I write will move the reader in some way.

The stories we tell one another, orally or written, are evidence of the life we have lived. Those stories are like scars; wounds inflicted by accident, neglect, or others. They are markers of who we are, what we were, what we have become and what we want to be.

Sometimes those scars are worn with pride. Sometimes those scars are hidden. Sometimes those scars are repurposed, redecorated.

This is the power of the story.