Category Archives: The Writer’s Life

New Publication – Untethering

 

Coming up at the end of May, my good friend and writing co-conspirator, Jodi Cleghorn, is releasing a companion volume to her collection of short stories “No Need to Reply.”

Screen Shot 2016-04-28 at 12.19.01 AM

The new volume is “The Heart Is An Echo Chamber” and it is a little different. It is different in that Jodi is not the author of this collection. In fact, it is a collection of writers responding to the stories from “No Need to Reply.”

The writers include Tom Dullemond, Kristen Erskine, Stacey Larner, Ben Payne, Lois Spangler, Helen Stubbs, Rus VanWestervelt and myself.

We each took a story from the original volume and reworked it, taking it to different places, from different angles, from different perspectives. 

 

Screen Shot 2016-04-28 at 12.18.52 AM

My story is “Untethering,” the companion piece to “Squeezebox.”

You can grab a copy of “No Need to Reply” here at the link before the new volume drops. If you want a physical copy, you can grab it for cheap. Ebook is Pay What You Want.

It will be published as a limited edition chapbook (hand numbered by Jodi) or you can grab the ebook.

If you’re in Brisbane, Australia, keep an eye out for the launch in late May.

Stay tuned and I’ll let you know when the new volume is released.

 

One Image, Two Conclusions

Last Friday I had a shocker of a day at work; the end of a long and tiring week which meant that I did not shower myself in glorious brilliance. And, as they say, the hits kept on coming.

It was nothing earth-shattering and it didn’t affect me directly but a piece of news that hit me at my weakest in terms of creativity and my own writing progress because over the past few months my writing time has suffered due to work commitments, and the ability to find the mental and emotional energy was sorely lacking. And it manifested itself in frustration and, if I am at all honest, jealousy.

I hit up a creative friend and simply vented in private. In the words of John Farnham, to “take the pressure down.” And it felt better to whinge about my own predicament and celebrate the success of others.

Over Saturday I was playing around with my phone, a new notebook and my fountain pen, to take a photo.

The first result was this:

Screen Shot 2016-03-05 at 10.03.38 PM

Aside: The fountain pen was a gift from my colleagues for my 40th birthday a couple of years back and the inscription reads, “When your heart speaks, take good notes.”

And every writer knows this feeling. However, in my current feral state of mind about getting stuff done, it was a challenge, an affront, a curse, a mockery.

But, shaking off the negativity, I changed the photo to this:

Screen Shot 2016-03-05 at 10.03.18 PM

Comparing yourself to others is a sure road to bitter disaster. Pursuit of your own goals and dreams is the correct path. 

Photo A Day In January – Part 2

Here is the second collection of images from the Photo A Day in January challenge.

A reminder of what this looks like:

FB_IMG_1451775280415

Day 11 – Outdoors

CYbFbQtUkAAMpUx

Day 12 – Something I Wore

I wore these for a friend's wedding almost 20 years ago. They have held up really well. Still wear them from time to time.

I wore these for a friend’s wedding almost 20 years ago. They have held up really well. Still wear them from time to time.

Day 13 – Three of a Kind

Tiny beanbag chickens

Tiny beanbag chickens

Day 14 – Close-Up

CYtZP4UUMAE8lNc

Day 15 – Mail

CY0gYRgVAAADY_p

Day 16 – Chair

CY0g2kwUEAIqILa

Day 17  – Faceless

CY9MTgkVAAIa9a-

Day 18 – White

CZDe2EEUMAEvVsB

Day 19 – In the Hand

CZH10hWUAAA3tiI

Day 20 – Patterns

CZNquK4WIAE-plb

Book Versus Movie

I’ve seen this image floating around the interwebz lately and initially agreed with it. 

Book Versus Movie Iceberg

The obvious suggestion is that a book offers the reader more complexity and depth than a movie; that a movie is a passive activity without detailed narrative, skipping over the juiciest and meatiest parts of a novel.

However, the more I saw it popping up in my social media feeds the more I questioned it.

The image implies a superiority of the printed word over the celluloid film, that a novel trumps film for storytelling and attention to detail. It’s a simplistic interpretation; it’s elitist and fails to embrace the complexity of film as art.

I, for one, have been disappointed in book-to-film adaptations (The Hobbit) yet also greatly impressed by book-to-film adaptations (The Lord of the Rings). I read intently the hue and cry from LOTR fans who bemoaned the excising of large swathes of narrative e.g. Tom Bombadil for the movie adaptation. Peter Jackson’s reasoning was simple: does this section move Frodo closer to Mount Doom or take him away from it?

I tell my students that film narrative is different to book narrative; each has their own language and vocabulary required to tell the story. Great film making is an art requiring a control of language more than simply words: framing, movement, lighting, sound, music, symbolism, colour, allusions, editing. 

We learn to read the shorthand of film to understand the emotional depth conveyed (dialogue, camera angles, music, sound etc) whereas in the novel we rely on the author’s words to bring us into the interior world of the character or situation.

Auteurs are adept at constructing a narrative for the audience that doesn’t rely on words alone, building their narrative through their medium. This does not make it inferior to a novel. Nor is a novel superior to a film because it requires only the imagination to create a world for the reader.

There are great novels and great films. There are rubbish novels and rubbish films. There are flaws and weaknesses in each when it comes to the power of the narrative arc but we must learn to read them differently, with a different eye and ear, with a different vocabulary and language. We must be conversant with both.

We cannot be snobbish and declare, “The book was better” if we are not conversant with the language of the other medium. True communication comes through understanding and appreciation.

A New Year’s Writing and Reading Reflection

I had a little twitter brain explosion one afternoon when I was thinking about the editing I was planning for later that evening on a short piece of flash fiction. Think of this as a series of brain farts, a Macbeth if you will, “a tale told by an idiot, full of sound and fury, signifying nothing” (one of my favourite lines from Shakespeare).

Why do I love to write? Because I love to read. The interplay of language to describe, emote, challenge, question, intrigue & entertain.

As readers we have favourite sentences or passages that capture the essence of our emotive response, better than our own words.

Passages w/ rhythm, illogical allusions that resonate, visceral gut punch, emotional core of who we are erupts as a volcano

These are the sentences we use as mantra, prayer, statement of intent, flirtation with a lover, standard of character.

E.g. ‘To be or not to be’ or ‘The Lord is my shepherd,’ almost cliche yet strike at our heart’s vortex & echo with symbolism. 

This is why I read and write, and why I believe reading is so important, so necessary, so vital to our humanity.

The Year That Was; The Year That Will Be

The end of a calendar year often marks a moment of reflection, contemplation and wondering why the toilet paper runs out at the most inopportune time.

And so it is with me. 

Side note: I know someone who uses the Chinese New Year as their starting point for a creative year. I’m seriously considering using the New Financial Year (June 30/July 1) as  my starting point. That way, if I stuff up the first half of the year I can reboot in the second half. Win.

In terms of reflection here’s the tl;dr version – I achieved nothing of substance and note. No progress on synopsis, novella, verse novel, short stories. Many half started efforts, scribbled poems, half-baked ideas. Nothing finished.

I could list a rather long inventory of excuses, reasons, happenstance or circumstance for it all.

Four Takeaways from This Year

  1. It’s virtually impossible to rebuild when you’re burnt out. Even doing small, seemingly achievable pieces can be a chore and have no significance.  
  2. Indecision and lack of focus are detrimental to making progress
  3. Without setting realistic goals and targets you will get nowhere.
  4. I didn’t read enough.

Four Steps to Making Progress Next Year

  1. Read more frequently – feed the soul and fill the well. This includes more drumming practice (too often neglected as a way of refilling the well).
  2. Set realistic goals and targets. I received a Pilot Press diary this year to keep track of my goals and targets. I have already set up my goals for January.
  3. Take care of my mental health to avoid burn out. Learn when to say “No,” when to say “Yes,” and work out what is important. Prioritise.
  4. Get Stuff Done. This is my mantra for 2016. 

May your 2016 be a productive year. 

The Power of Story

We all remember stories that have an impact on our lives; the books we read or the movies we saw from our childhood, adolescence and adulthood.

We internalise the characters, their dialogue, idiosyncrasies, their hopes and dreams as if they were ours.

But beyond the story is the bigger ideas, the bigger questions nestled within the text, wrapped up in the books on the character’s shelf or in the pockets of their favourite jacket. We take them, often unconsciously, and slip them between the pages of our notebooks or hide them under our pillows.

The power of the story lies within the big ideas or questions revealed in the narrative. These big ideas and questions find their expression and meaning in the actions and emotions of individual characters going about their day to day business.

The reader understands the narrative as a microscopic view of a telescopic realm. The narrative is a parable of meaning expressed in the actions of fictional characters we believe to be real because we understand their lives as if they were ours.

This is the power of story.

Sign Posts, Goal Posts and Blog Posts

Dear Reader, 

I’ve just finished reading Stephen Chbosky’s “The Perks of Being A Wallflower” and the protagonist Charlie writes letters to an unnamed and unknown recipient. So I am going to follow suit. I like the anonymity. I am sorry I don’t know you by name. I don’t know if you will read this, but if you’re willing to listen to me ramble for a little bit that would be reward enough.

Sign Posts

I am frustrated.

I am frustrated at the lack of momentum in getting work finished. I began writing in 2009 (six years ago), beginning with small achievable steps with the aim of having a novel produced by this time. To do that I started reading blogs on writing short stories, structure, voice, style. I started writing short stories from prompts to get me focused. I wrote a short piece of flash fiction almost every week for months, generating new ideas and pieces of work. 

I was gaining momentum and the desire grew. New opportunities were offered: a collaborative Choose Your Own Adventure style project, invitations to submit to anthologies and giving me my first publication credits, an invite to write for a website. Awesome. 

But where has it all come unstuck?

Almost 5 years ago I took long service leave from my teaching job for a term with the aim of writing a novel. I had a plan, a text book to help me with structure, an 11-page, 6K word outline.

I wasn’t ready. I only managed 26K and loose change.

Since then I’ve co-written an epistolary novel, edited it, polished it for publication and now it’s waiting for a synopsis almost two years after the first draft was done and a year after edits and rewrites were completed.

Like a hyperactive goldfish who can’t remember what his castle looks like I’ve flitted and flirted with other creative writings mediums: Post It Note poetry, blackout/erasure poetry, haiku, haibun, poetry.

Trying to find the last time I finished a short story and had it ready for publication sends me back a couple of years. There is a document (there are many documents) sitting open on my laptop of a short story that is waiting for me to finish it. It sits idly by, adding days and weeks and months while I sort out what I want to do with it. It’s a favourite toy, once played with every day now sitting on the shelf collecting dust waiting to be played with again.

Even here on my blog, all sorts of ambitious ideas have sprouted, were watered for a while but are now sticks in the soil, without sustenance. without root, without fruit.

The list list of projects started and waiting completion is long. And an embarrassment. 

I have grand aims, grand ambitions, zero movement and life keeps kicking me in the groin. I am partly to blame for some of that happening. Other times it is completely out of my control.

Over the last few weeks I have seriously contemplated turning off the blog, putting the pen and notebooks away and shredding my work. Another example of lack of discipline, lack of commitment, lack of being able to do anything worthwhile. 

Everything is a smegging mess at the moment.

One good thing, though, is I am reading again. Finding enjoyment and fulfilment in the written word.

Goal Posts

The conflict between dream and reality is vicious. I wanted to be so much further ahead than where I am now.

How does one find discipline and commitment when it has never been an active part of my life? The answer, I know, is simple: take one day at a time.

I’d like to take a day, one day of a weekend sometime, and really nut out what I want to achieve. Do I want to write novels? Novellas? Short stories? Verse novels? Poetry? Some of these? One of these? A combination? Are these achievable? Are they compatible?

More importantly, HOW I am going to achieve it? 2016 needs to be a year of GSD: Getting Stuff Done. I need to nut it out for daily, weekly, monthly goals in order to make this happen.

Blog Posts 

Thank you reader for allowing me to vent a little, sort myself out and get my head into a clearer vision of a way forward.

I’ll keep you updated on my progress.

Blessings

Adam

 

 

Practice Pages – Peeling Fruit

I haven’t had much time to write lately and the lack of practice is an area I want to correct so I can maintain discipline. It was the focus of a recent blog post, Finding the Flaws in Your Writing. As I noted, I am a slow learner.

Therefore I gave myself 10 – 15 minutes to write a paragraph with no care of editing, purpose, structure. No other agenda except to explore an idea pulled from my note book.

I pulled the following idea from my notebook to form the starting point:

The peeling of a mandarin; the damage to the skin to eat the flesh inside.

In my hands I hold the mandarin you picked from the fruit bowl. I wasn’t particularly hungry but you were and wanted me to peel it for you. A child-like invocation of trust and acceptance. You are seated across from me, hands clasped together, waiting.

“Can I have some?” I asked.

A nod. Acquiescence to share.

The autumnal grace of peeling a mandarin, stripping the skin from the flesh and piling it on the table like a tree sheds its leaves, is undermined by the viciousness of its action. My thumb pushes in to the knobbed skin on top, an outward belly button you called it, breaks through and the spray of citric acid spits. It is caught in the summer afternoon light, hovers, reflects, dissipates. The freshness of the scent makes you rub your nose as if it tickled the very tip.

I catch you smiling and my eyes drop to the line of your singlet top. Your breasts move as you raise your hand to tuck a loose strand of hair behind your ear. 

There is a question, which, if asked, will change everything between us.

The skin forms a pile, broken pieces of a puzzle it would be impossible to solve. I could lay out the pieces, align them from where they came but without the flesh there is no substance to hold it. In the act of consuming I have destroyed.

You fidget, wanting to bite into the segments, held up by me until the entirety of the mandarin is peeled. I pull away a few segments for myself and hand the remainder over. As I pull away the fibrous strings, flensing the flesh even further, you rip two segments and bite into them. A stream of juice spouts onto the table as more dribbles down your chin. With the back of your hand you wipe your chin then the table smearing the juice further.

“I’ll clean it later,” you say with a mouth full of flesh before spitting the pips into your hand, reaching across the table and dumping them onto the torn skins as discarded bones. 

Our intimacy is bound in the question I want to ask for it will strip our skin like peeling a mandarin that we may eat the flesh inside.

Planning With Post It Notes

Over the past couple of weeks I’ve been mapping out the verse novel I keep referring to. I started it last year with no real plan and began writing. 13.5K words later it petered to a halt as the year ended and I endeavoured to pick it up at the beginning of this year.

Best laid plans often involve doughnuts but returning to this project stalled for a number of reasons.

However…!

Staring at a document is not always the best way to find the holes and work out what needs to be fixed. When it comes to learning styles I am not much of a visual person, preferring verbal/auditory and writing (no surprises there). 

After a lot of thinking and composting trying to work out how this would all hold together, I thought about using Post It Notes to visually map the story I was telling.

Therefore, I printed it out, bought a wad of Post It Notes and started scribing, the title of each poem on individual notes. I needed to see the overall arching narrative, find out where the gaps were and think through what ending it was working towards.

Phase One – Beginning Mapping

image

The yellow Post It Notes is the MC arranged as the document appears on my computer. The pink is the MC’s own poetry, her Fermata (musical pauses – there is a strong musical reference in this verse novel). The blue is the MC’s boyfriend and his contribution to the narrative, his Random Conversations.

It reads from left to right (using the yellow Post It notes).

Phase Two – Playing With the Pieces

image

I began to rearrange the order of the poems and play around as to where the Fermata and Random Conversations would fit. Still reading from left to right but now adding in more of the narrative.

From here I went back to my notebook and started making notes about the plot and characters, scribbling out a brief synopsis to help work out the structure and development of the narrative.

Phase Three – I’m Thinking of Something Orange

image

The benefit of doing it on the wall was to see where there were gaps in the narrative. I used orange notes to suggest scenes/ideas/concepts to help build the storyline.

Phase Four – The “Final” Version

image

This mess makes sense to me. The story now has a structure and a flow (of sorts). I have now transferred the Post It Notes to my exercise book so I can begin the rewriting and editing.

I am going to take my print out and rearrange the pages as per the order shown above and reread to see if it holds together, even allowing for the gaps and silences yet to be written. 

I doubt this will be the final iteration in terms of plot and structure but doing this has given me a clearer idea of the form and direction of my verse novel.

Handy Hints

  • buy quality Post It notes as you don’t want them falling off
  • have a large handy piece of blank wall, or windows.
  • take a photo regularly in case they fall off so you can return them
  • colour code (character, plot, problems, themes)

I intend to use Post It Notes to help with the planning and mapping of a vignette collection I am working towards. Many, many uses.

Perhaps you’d like to join in Post It Note Poetry in February, 2016.