Category Archives: Ars Poetica

Zentangle #7 Bare Feet

bare-feet

Every so often
walk with bare
feet
in the trees
stand and
imagine

And a bonus black out poem

the-other-side

I know 
the other side
I know
another direction

Zentangle #6 Celestial Bodies

celestial-bodies

celestial bodies
would be
quite unbearable

And a bonus blackout poem for your enjoyment

odd-things

Zentangle #4

image

humans love sadness
it was a comfort
in the end

Still not a zentangle in the official sense but an interesting experiment nonetheless in my continuing defacing (or repurposing) of Jostein Gaarder’s novel, “Through A Glass Darkly.”

And a bonus blackout poem from the same novel because it was fun to do and it’s keeping me writing and creating when time is limited. 

image

keep an eye on beauty
to school times
sit with 
the old gods
read
how everything was

Zentangle #3

An evening spent with Jostein Gaarder’s “Through A Glass Darkly” (where the previous two zentagle poems have come from) brought about this piece.

invisible words
float between 
each voice

you can lie with 
a single word

what delicate instruments
when the window is shut

I can sometimes
see with my ears

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Reflection

Unlike other zentangle examples, I cannot doodle. I find it difficult. Shapes, patterns, scribbles, images do not figure in my thinking.

I see the page for the words and the meaning contained therein.

If I had the foresight I could have used the space within the speech balloons as a canvas for doodling but I preferred the blackness; the negative space to draw attention to the words.

Making art because art. No other reason. And that’s the thing. You art. You experiment. You play. As Neil Gaiman says, “Make good art.” Not sure this is good art but I’m making art.

I hope you’re making art, too.

Alice’s Adventures In Blackout Poetry

It’s funny how way leads on to way when it comes to creativity.

Last week I was chatting with Jodi (my writing co-conspirator) and she posed the question, “What would we do with the same page of text to create a poem?”

We think very differently in some respects when it comes to creativity. 

I tend to use the blackout/erasure method while Jodi has been utilising a cut and paste methodology. 

It’s different architectures for artistry. Jodi prefers the physicality of moving chunks of text to create and find meaning whereas I use the text as it is available, using the pieces to create the whole. It is physically passive whereas the cut and paste adds another physical, active dimension to creativity.

Simply different approaches to creating art.

Even in a brief discussion about creating these poems there are lessons to be learned; different approaches and different perspectives that can be translated into other creative areas. Take each creative activity as a learning experience. 

This is my contribution (I will arrange it into lines for easier reading):

the reason
time happens
is the young
know a proposal
every word a story
their names were
questions of the extraordinary

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You can see Jodi’s contribution over on her blog, Pursuing Parallels.

Zentangle Poetry #2

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I realise I am better at blackout/erasure poetry than I am at doodling for zentangle poetry. Not that I am going to give up creating zentangle poems; it’s admitting a limitation to a skill set I do not have mastery of. 

I also realised I made this poem harder to read due to the division of the sections. It looks like a comic book format which makes the reading more complex as it divides the words in a way that I had not planned. It’s an error of planning on my part.

To read it, read across from left to right as you normally would and ignore the arbitrary divisions. Hope that makes sense. 

Still learning. Still having fun creating. 

Experimenting With Storybird Part 3

Here is a collated gallery of poems I’ve written using Storybird. I’ve blogged previous examples in Part 1 and Part 2. It’s magnetic poetry on the web.

I like the simplicity of the interface and the limitations of words you can use although sometimes I will refresh the words if there is nothing there but dross.

When I feel the need to be creative and only have limited time, it’s fun to pop in and play with words for a few minutes.

Enjoy wandering through the gallery.

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Two New Poems for Old Acquaintances

At the end of last year, two of my colleagues left. One retired and one was returning home to another state before heading off travelling.

In a sudden moment of ideas, I composed a poem for each. I couldn’t read them aloud myself because I hate farewells and ended up a blubbering mess in the corner while other colleagues read them for me. Wuss that I am.

I will share them with you, even though you don’t have the context of the people I know because I like them as stand alone poems.

 

Athena’s Owl

The light is extinguished at day’s end
the filament fades from white to orange to yellow to black
                                                              to signal slumber’s rest
          shadows encroach where light once reached

Athena’s owl ruffles her feathers for one last flight
          preens from quill to tip and one soft downy feather
          falls like a summer cloud
          rides the drafts and settles in the corner

In the silent moment before flight
          she takes one final glance
launches on soundless wings
          the warrior of the night.

We wake at morning’s first touch and
                               find the roost empty

Our hearts turn to sorrow and mourning
for wisdom’s presence is no longer amongst us
we run our fingers along the perch, the grooved indentations
of claws leave furrowed rows of knowledge

The wind reaches into the corner
                              lifts the single feather
the movement catches our eye; we reach down
                              hold the quill between thumb and forefinger
                              our extant memory
a reminder of wisdom’s presence,
                              her integrity and compassion
We are made the wiser because of her.

Diaspora

The wind asked,
“How now, spirit? Whither wander you?”
Wherever you may take me
But I will not be driven like the autumn leaves
Aimless, directionless, at your capricious mercy.
I will set my sails and use your strength
To take me to foreign lands.

The wind said,
“You have not moved.”
I have travelled the length and breadth
Of my imagination; my feet are not weary.
I will choose when to tie my laces
shoulder my pack and
Cross the threshold of my volition.

The wind asked,
“When will you find a home?”
I find a home where there is a bed for rest
a cup of tea
a book to read
a pen to write with
a nook for study
a place where my heart is at peace.

And the wind was silent.

The Earthen Man

This was an attempt at a spoken word poem whose genesis was at school where a group of Year 10 students were being introduced to slam poetry.

I took one of the prompts and explored the origins of my name. It is rough but a fun activity to explore. Hope you enjoy it.

The Earthen Man
When I heard the minister pronounce the benediction

At my grandfather’s funeral
“Ashes to ashes, dust to dust”
the recitation of symbolic circulation
I hear echoes of my name

Adam

accent the first letter with exhalation of breath, “Ah”

“Ah-dam”

a whisper of life escaping.
Count those breaths, man of earth, keep a record, keep a tally.
Know its origins lie in ancient roots and ancient lands
your genesis is found in holy writ
the clay, the breath, the man created
the Play-Dough of God’s creative work

“Ah-dam”

a synonym of man and earth
a story deposited and poured from one jar of clay to the next
through eternity’s hourglass until the dust and ashes settle
inverted and another life begins

“Ah-dam”

this life begins as the conjugation of my father’s seed, my mother’s soil
the banker and the occupational therapist
the handy man and the artist
and I look at the dirt beneath my fingernails
see it is more my father than me
but I have mown my fair share of lawns, dug holes and shifted topsoil
I am more likely to find ink beneath my nails
from pens where words seep out like
the sap from a tree I never planted but I am learning to climb
now I garden with words
planting syllable seedlings in the the dust accumulating on the windowsill
in notebooks and diaries and journals
whose pages I imagine falling out like the petals of the cherry blossom
in my parents’ backyard, a delicate cascade of vowels and consonants

“Ah-dam”

in retrospect, memory is an archaeological examination of a past
digging through layers of soil
stratified artefacts poured through a sieve of inconsistency

“Ah-dam”

while the root system seeks out good soil
the surface is choked by weeds and caged by thorns
the fruits of labour harvested
a meagre handful, barely a morsel
a portion for one
let alone enough to feed a family
or the overflow to lay out a feast for friends
and strangers
I would be wise to reap the harvest
plant new seed at season’s turn

“Ah-dam”

the late starter to a race
trying to peg his pace with the front runners
rather than running his own marathon
the rhythm of a heartbeat
I have not kept time with
a pulse I lag behind most often
while trying to rush ahead

“Ah-dam”

Feet of clay baked over many summers
Running barefoot through the streets
Dodging bindies, stones and once, a rusty nail
Embedded into the sole of my foot
A fissure that now lets the water in
disintegrating in the tides
of people

“Ah-dam”

are we more than bags and bags of soil or fertiliser
stacked on shelves in mausoleums of DIY self-aggrandisement?
let me remove the speck of dirt from my eye
form the rain around this granule of dirt
and I will water the ground
from which I came

Poetry Is Planned, Prepared, Edited, But More Often It’s Random

I love the spontaneity of writing, the burst of an idea committed to paper simply because you’re in the right place at the right time.

Then comes the hard work of making the piece sing.

Sometimes it’s playing with words as practice and having some fun. That’s what I did yesterday. 

I took an image posted on a friend’s Facebook wall and scribbled out an idea based on his caption, “and then the albino human statue unicyclist flew off into the storm…”

Albino Unicyclist Statue

Albino Unicyclist Statue Photo by Rob Cook (@robgcook)

This is the result

the albino fiddled with the coffee
splashing froth and milk and sugar
a hastiness borne of watchfulness

he stirred, attacking the inside edge of the cup
the clink, clink, clink an echo of rain
spattering on the window
grasping the cup between his hands
the white of one shadowing the white of the other
his fingers tapped a thunderous morse code
paused
drained the cup
and then the albino human statue unicyclist flew off into the storm…

It was a random exploration and expression of an idea based on an image and its caption. 

Try it out as a writing activity, a way to practice and develop new ideas. As I posted recently, experimenting with Storybird does the same thing.